PART-20

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POST-21....THIRUVAIYARU....DIKSITAR MEETS THYAGARAJA SWAMI

21 Tiruvaiyyaru and meeting with saint Tyagaraja, return to Tanjavur and to Tiruvarur =========================================== Tiruvaiyyaru. That hallowed kShEtra ever resonating with the chanting of the Vedas and the Tamil Tirumurais. That beautiful land washed by five rivers and surrounded by canals, green fields, banana and coconut groves. The Cauvery, that Queen of all rivers, presents a majestic and ravishing sight here, surrounded as She is by Her four offspring over whom She fondly lords, both Her banks dotted with sculpturesque manTapAs and bathing ghats. Tiruvaiyyaru epitomizes the finest that can be experienced of natural beauty and the exquisite art and culture of Tanjavur. That great bard of Tiruvaiyyaru says in two of his exquisite compositions, one on the river and the other on Tiruvaiyyaru itself, that his beloved Rama should be proud of Tiruvaiyyaru which is washed by the Cauvery, who after prostrating at Ranganatha's Feet and worshipping several shrines on the w...
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THE ETERNAL PILGRIM- MUTHUSWAMI DIKSHITAR-by RAVI-SRI

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It is rarely that a phenomenon takes place in the world. An epoch-making event of far-reaching consequence that would change the course of history. The advent of sages, saints, great men of science, sacred men of art, have all heralded new beginnings in their respective realms. In the world of Indian art music, the advent of Shyama Sastri, Thyagaraja and Muthuswami Dikshitar changed the course and perception of music. The harbingers of a new age in classical music, the threesome are reverentially referred to as the Trinity of Carnatic music. Not without reason, the foremost of which was their being born in the same town and being contemporaries. MUTHUSWAMI DIKSHITAR, THYAGARAJA AND SHYAMA SASTRY  But this was not the only reason. Their pioneering work was such that after their times, Carnatic music was never the same again. Looking at their works, one finds a unity of purpose behind them.  This unity of purpose is reflected in the fact that the Trinity refined the medium of th...
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PART-14....KUZHIKKARAI AND MANNAARKUDI

14 Places around Tiruvarur, Kuzhikkarai and composition of shri viswanatham ragamalika, Mannargudi  ============================ We do not know how comfortably or otherwise Dikshitar was placed in those early years after his return to Tiruvarur. His father Ramaswami Dikshitar was a recipient of the Tanjavur king's munificence earlier. Whether this continued in full measure after the family returned to Tiruvarur is not known, though it can be surmised that some kind of allowance must have been offered by the palace in lieu of Ramaswami Dikshitar's services to the cause of music. What can be said with some authenticity is that the Tiruvarur temple would have catered to the needs of the Dikshitar family. . As already pointed out earlier, Ramaswami Dikshitar, and later on Muttuswami Dikshitar, were both associated with organising the temple music. Nevertheless, because of Dikshitar's peripatetic life, the temple might not have been able to regularly provide for his family. For,...
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